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They covered all different styles of rap: harder rap, like Stolen Youth (2013), the EP under the name “Larry Fisherman” with Vince Staples, and others that are much softer, like You (2012), his Jazz album under the name “Larry Lovestein & The Velvet Revival.” Miller’s versatility as an artist is incredible. I found a lot more mixtapes than I expected. I watched interviews, read articles, found any form of media that would help me feel like he was still there. For the musical diversity and association with travel, Faces will always be close to my heart.Īnyways, after his death, I re-upped myself on his music. It ends in an optimistic place with “New Faces”, an upbeat song, with good bars, and a solid Earl Sweatshirt feature that brings the record to a close.
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There are jazz-based piano rap tracks like “Ave Maria” or “Diablo”, mixed with harder tracks like “Insomniak” or “Malibu”. Because it’s such a weird and versatile album, I got something different each time I listened. Faces, however, was something I really got into because it was all I had to listen to on planes. Blue Side Park (2011), Watching Movies with the Sound Off (2013), and GO:OD AM (2015), his first three studio albums, were all released years before I was into the kind of rap music he was putting out. The sex noises that transitioned between tracks were not what I was looking for. Macadelic, the mixtape dropped the two years before, was a bit too much for me. Before he passed, I had really only listened to Faces, his mixtape from 2014, all the way through. Several of these were set to the sound of his Tiny Desk Concert, the set list of which contained only songs off of Swimming.įrom Swimming, I launched into a much deeper listen through Mac Miller’s music. Nevertheless, I took plenty of long showers as I struggled to adjust to my Emerson dorm. That being said, I hadn’t really gotten into Swimming until about two weeks before Mac died. Through this process of analysing the lyric’s of Mac Miller’s track I am able to begin the production of my Digi-pak and music Video.This will be feature in the next post on this Blog.I was in the camp of people that never fucked with Travis Scott, his social media presence was something that I was never down with, and his music seemed like people had already done it before. In future post I will refer back this blog post, for more inspiration. Using Rap Genius to interpret the meaning of the lyric’s, this can enable me to draft idea’s for the music video. No bitches in my circle I’m a show you the commercial
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#Making of diablo mac miller free#
Running to the underworld with guns and set the sinners free Look at what you did to me, look at what you did to me You can see me bleed, I be with the freaks and geeksīitch I never miss a beat, I’m Charlie Conway, triple dekeīeen a beast, every word I spit rewriting history Lost inside my mind it’s a prison homie leave me be I ain’t a star I’m way farther with the constelations Only God can save him, I heard the monsters made him Love I’m making so hot I’m turning hog to bacon Tell your bitch that you’ve been trippin’ now you on vacation This a marathon gentlemen go ahead and start the races Take it from the rich this is piracy (piracy)įinally, I don’t even need my fucking eyes to see I tell my bitch if she don’t love me then just lie to me I strong arm them like I play the trumpet I’m gettin’ faded ’till the angels come and skipping all the famous functions Tryna find a balance reaching from my equilibriumįools I pity them, I’m not a human I’m amphibian
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The time continuum, Mortal Kombat finish them These raps bring a joint together like a kneecapįuck the little 8 balls, show me where the ki’s at How’d I get my g pass, none of your fucking beeswax The industry a lie, all the promises were hollowįollow me I could show you where we be’s at Rapping head honcho, rocking shows like I was Bono It’s the, rap diablo, macho when I drop flowsīar gets raised up, it’s me and Petey PabloĬolder than gazpacho, colder than the mono Artist and song writers are able to approve the analysis of their material posted on to the site, making the whole experience more immersive as well as increasing the authenticity of the material. Opposed to Eminem the rap god, Mac is the rap diablo, which is Spanish for devil.” The description above was taken from Rap Genius, a platform which allows individuals and professionals to decode the language of music and various other commerical texts. ‘Mac’s flows are macho, and every time Mac puts something new out, he raises the bar and his competition has to work to keep up with him. In this song Mac Miller expresses a range of emotions or lack of emotions in his single ‘ Diablo’ through his lyrics. A song which satisfied both our tastes was chosen between me and Simon.
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